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PERFORMANCE
Music and Power
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It is a well-known fact that objects cannot
be reduced to their materiality or their technical nature. Because
they have a range of meanings, their original purpose sometimes
becomes an accessory role.
Éric Montbel,
Les souvenirs du sens : cornemuses, miroirs, mémoire Souffler, c'est jouer
(Paris: Musée des arts et traditions populaires, 1999),
p. 57, translation.
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The theme of music and power links music to musical
forms that refer to certain values inherent in a given community. Music is
not an end in itself; it is a means of representing a hierarchy or
expressing an ideology.
Music that is associated with hierarchical power requires specific instruments,
and the context in which it is used is strictly defined. It can only be played
with the consent of a person representing the top of the hierarchy a
nation's sovereign or a group's spiritual leader, for example and only
in that person's presence.
There is a very ancient tradition behind the musical instrument that accompanies
the voice of the griots when they sing or narrate epic stories, sing songs in
praise of heroes or proclaim the glory of great warriors. The musical pieces
that in the past spurred chiefs into battle in search of new conquests are now
played only at festivals and celebrations.
The history of sport also demonstrates how violence is glossed over. We have
gone from the brutal jousts of the Middle Ages to sports events that offer the
spectacle of "domesticated civil war". The rules that apply to sports,
designed to control violent confrontations, are the result of a long civilizing
and peacemaking process.
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Date Created: May 8, 2001 | Last Updated: August 19, 2009