Temple-pyramids were part of a long cultural tradition in Mesoamerica;
the Olmec had built artificial
mountains a thousand years earlier. The
form developed through piling rock and dirt and building a platform on
the summit on which to raise a temple. A Maya innovation was the
addition of sculpted and painted facades to pyramid and temple, which
expressed political and religious messages. In fact, the whole pyramid
would be covered in plaster and then painted red or other bright
colours.
Probably the best-known visual feature of
Mesoamerica are the pyramids
which tower over the ruinous sites. The ceremonial complexes of
Maya cities - plazas, pyramids and
palaces - were designed to reflect, symbolically, the
sacred landscape at its first
creation by the gods. The stepped and truncated pyramids
represented mountains, and the temples atop them represented caves
leading into the heart of the mountains; both were places where
sacredness was especially concentrated. It was from here that kings --
the human manifestation of the central axis linking the Underworld,
Middle World and the Sky World -- used trance and
ritual as the means
to open a doorway into the supernatural world through which they could
communicate with the gods. Each repetition of ritual accumulated
energy which made a temple-pyramid increasingly sacred. Pyramids were
also used to house royal tombs.
Pyramid-temples took many structural forms: some were tall and steep, some
very broad, others squat. The temple itself was not large, generally
comprising between one and three dark rooms, of which one would be the
inner sanctum where the king performed his rituals. Some temples have
facades representing masks of one or other cosmic monster and the Maya
name for the temple door actually means "mouth of the house". The
pyramid-temple erected on CMC's plaza is not based on any particular
historical structure. The Witz
("mountain") monster depicted on its roof comb is a vulture.
Explore inside the pyramid: